Multistreaming on LIVEPLUSTV is not a bolted-on restream service; it is an output of the same playout engine that runs the 24/7 channel. The schedule, the burned-in graphics and the SCTE-35 markers exist once, and every destination, your own channel, YouTube, Facebook, Twitch, a distributor’s ingest, receives the same broadcast simultaneously. Launch carries 30 destinations; FAST and up carry as many as you connect.
The vertical feed is a rendition, not a crop job
Phone-first platforms punish letterboxed television. On FAST and up the channel renders a true 9:16 vertical output alongside the 16:9 broadcast, so TikTok, Reels and Shorts receive a picture built for the way their viewers actually hold the device. One production, two orientations, no second control room.
Why the owned channel stays the center
Every operator who built an audience purely on a platform has lived the morning the rules changed. The channel is the counterweight: the schedule and programme guide are yours, the analytics count every viewer rather than what a platform chooses to share, and the ad breaks pay you, not an intermediary. Multistreaming is how you keep the social reach while the owned asset compounds underneath it, and automatic highlights on Studio close the loop by turning each broadcast into the next day’s clips. Creators starting from a back catalogue rather than a live show can go straight to turning a YouTube library into a TV channel.